Tuesday, October 18, 2016

Strong Enough

In these modern times, we have access to so many resources and opportunities that it can often times be extremely overwhelming. I am part of a generation of go-getters, of innovators, of new technology and faster, smaller, better. And as this occurs, so does the pressure to be perfect and to live up to the expectations of this generation. Especially with women, we are bombarded with ideas, inspirations and what not on how to be better and more perfect. How we can become smarter, prettier, funnier and yet being tested with meaningless quizzes and games that state they can tell you something about yourself. It is so easy to get lost in this chaos and nonsense and begin to lose faith in the person you thought you could be.

Pressure to be perfect can be a good thing but it also can be extremely detrimental to an individual. Especially in a college setting, it is so easy to compare accolades with peers and deem yourself unworthy. Lately, I have been going through a lot of this and have been questioning my academic decisions- whether or not I am truly capable of being a conceptual artist, whether I just went into art because I was good at drawing, not because it was my passion. These daunting questions have overwhelmed me to the point where I am constantly questioning my own relevance as a person and an artist.

To describe how this has felt, I decided to do a performance piece inspired by the many performance artists who utilized physical restraints within their work. I took one set of weights and six jars full of acrylic paint to use as my weights. It was important to me to use paints as weights to reference the pressure and struggle of making good art and also because I find them extremely heavy despite their small size. I clothed my weights in red fabric with the intention of subtly referencing female menstruation and the problems that can often be tied specifically to women. I will hang two of these weights around my neck, one in front and one in back. I will hang two of them on my shoulders and the two real weights on my wrists, making it very difficult for me to move or lift my arms. I plan on hanging a piece of paper above my head and attempting to write consoling phrases about my head in an attempt to make myself ‘feel better’ about the weights that hold me down. I will write in black with my right hand and in red with my left. My right hand is my dominant hand and will probably have more legible writing however my left hand will be barely readable. This is supposed to reference how diluted and abstract these phrases can get after saying them so often until they lose their meaning completely.  

Due to the large amount of weight and the pain of the strings on my neck and arms, I plan to write for as long as possible, or until I fill the page. This will be a test of my ability to tolerate pain as well as a physical representation of what I have been going through emotionally.















Catch Piece

When I first heard the prompt, I was very nervous. I was more of an appreciator of performance art rather one that performed. Upon hearing of the challenge to use non-traditional materials, the first thing that came into my mind was tea. The color of tea can be dark or light and can offer a pretty delicate mark on paper.

I thought back to the different examples we discussed in class and I really enjoyed Yoko Ono's Grapefruit piece. I had seen a few of these instructions at the NYC MoMA exhibit on Yoko Ono and at the time I was already very intrigued. It was rewarding to me to remember that and be able to address those curiosities with this project.

I looked through various Yoko Ono instructions from Grapefruit and found them to be so fascinating. The execution of the piece was so minimalistic while sometimes the words asked for a little too much. For example in "BLOOD PIECE" it states that you use your blood to paint until you either faint or die. I took inspiration from her simplicity yet demanding instructions.





Another artist that I thought of when planning for this piece was, Hye Yeon Nam. Her four part video self portrait, Walking, Drinking, Eating, and Sitting, is a interesting piece that explores the constant patience and hard work is needed for "fitting in". She creates obstacles for herself when doing every day tasks. And she captures the quiet patience that occurs when doing these tasks with the obstacles. Her actions also causes me to feel anxious and uncomfortable as well. Her patience in the videos allow me to feel bad for her as well as see her as a very naive person, one who is willing to keep going even though the task at hand is designed to work against her and fail.






For my piece, I wanted to pull from both Yoko Ono and Hye Yeon Nam. I wanted the instructions to be simple but also demanding and I also wanted to explore discomfort and the idea of impossible.

My instructions are:
Catch a drink in your hands
I chose to use a Taiwanese tea that was given to me by my parents. This tea is high quality tea which is shown through difference from the tight rolled dry leaves to the large expanded unbroken tea leaf after steeping. This also provides a tangible object to catch, but in the end, the drink is the steeped tea not the leaves.

I chose this tea to address the difficulty I have of grasping Taiwanese culture. It's not something that can be taught and I haven't had the opportunity to really experience it. So for me, the Taiwanese culture is always so close to touch but impossible to fully hold on to.

The meaning of the piece can vary dependent on the drink and performer.


Destroy and Create

Destroy and Create

During my brainstorming for this project, I contemplated many different possibilities for what I wanted my piece to symbolize. This is my first performance art piece, and therefore I really felt clueless as to how I wanted to go about it. However when considering the different possible themes to explore, I realized one aspect of art that I have always had a specific interest in is the fragility of everything I create. I have always been fascinated by the idea that what is so painstakingly created can be so easily destroyed. It is true that in our world destruction greatly outweighs creation.
Upon further exploration of this idea, I came across the Canadian artist Heather Benning. Although she is not technically recognized as a performance artist, there was one piece, The Dollhouse, that stood out to me as incredibly effective in its message. For this project, Benning undertook an 8 year remodel of an abandoned farmhouse, reconstructing it into a life sized doll house. She herself spent 18 months re-shingling the roof and replacing one side of the house entirely with plexi-glass. The house then stood as a sculpture for 6 years, at which time Benning intentionally burned it to the ground.
Why would she do this? Yes, she stated that after those years the house had begun to show its age, but why not repair it? Why, the viewer is forced to ask, so quickly destroy what you’ve worked so hard to create? By so quickly destroying what she had spent so much time and energy creating, Benning thrusts the idea of impermanence in the viewers face. This beautiful creation, that she had labored over for years, was destroyed in a matter of hours. It simply goes to show that in the world we live in, creation is heavily outweighed by destruction.
I chose to play off this point with a work of my own, in a performance with the instruction, “Destroy and Create”. As an artist, I find myself heavily attached to each piece of work I create. Whether or not I deem it “good”, I see all my work in terms of the time and energy I put into creating them, and I find myself immensely mentally distressed at the idea of destroying them. Which, obviously, is why I have decided to do just that. I intend to bring in to class one of my previous works that I have devoted my time and energy to. I will begin the performance by carefully hanging it on the wall. I will then take a mixture of ink and water and haphazardly apply it to the drawing, obscuring the image already present. Taking it a step further, I will then rip the paper into pieces, and finally reassemble the work on the ground.
By performing these actions, I intend to give the audience a deep sense of unease and even anxiety. I believe that regardless of the fact that it is not their own work, they will still feel some sense of loss, as as humans we innately value art and are off put by its destruction. And finally, in the eventual reconstruction of the "destroyed" work, it will end the performance with just a hint of hope, as even though it has been defaced and ruined, in the end it is still reassembled into something new.



Monday, October 17, 2016

Puke and Rally


When I first started thinking about what to do for this performance, I was at a complete loss. Performance art terrifies me and confuses me at the same time. Although I have always appreciated many art forms, it has taken me the longest to understand and appreciate performance art. I approached this piece by reflecting on issues that I have been thinking about lately. Currently, I have 8 weeks left of my time in college and have been thinking a lot about what I spent my time in college doing. To be honest, I spent a lot of my time drinking.

The directions of this piece are the same as the title:

Puke and Rally

Although I will be performing this piece by taking a shot sized amount of liquid and spitting it up 4 times, to represent my 4 years in college, I believe this piece could recreated by anyone in a number of ways and interpretations. I also will be spitting up the liquid rather than puking it up, for classroom reasons, but I believe the directions of the piece need to still read “puke and rally”, for reasons I will explain later on.

Before taking each shot, I will say a phrase that was said to me that influenced me to drink. They are as follows:

Freshman Year: “Everyone drinks in college”
Sophmore Year: “Take a shot, take a shot, take a goddamn shot. If you can’t take a shot like an APHI can than you shouldn’t have a motherfucking shot in your hand.”
Junior Year: “Shut up and drink”
Senior Year: “Don’t be a grandma. You’re still in college”
           
The phrase “puke and rally” was used a lot by myself and others, particularly in my first two years of college. I used to laugh at it and at one point even took pride in being called Queen of the Puke and Rally, but looking back I see a lot of sadness in this phrase. When I would go out, I would sometimes get sick from drinking, throw up, and continue to keep drinking at a party. I would also get sick from drinking one night but rally in time to go out the following night.  I would also make myself throw up after a night out so the calories of the alcohol I ingested didn’t count.

This piece is a commentary on college drinking and my reflection on my experiences. I think there is an epidemic of drinking in college. Every year, freshman start college with the idea that having the college experience equals “getting fucked up.” There is an immense pressure to find joy in drinking, not only from the images the media feeds us, but also from peers.


Last year, I did a piece on the performance artist Millie Brown. Her performances consist of her ingesting colorful liquids and throwing them up a canvas. While I was intrigued by her methods and how uncomfortable they made me feel as the viewer, I felt that her art didn’t really have a strong message to it. I felt that she was puking for a shock factor rather than to send a message through performance. I wanted to use some of her methods, but impose a personal meaning on it.  I was also heavily influenced by images of partying and college in pop culture, as well as alarming statistics about college drinking.





http://www.milliebrown.co/about/
http://www.milliebrown.co/rainbow-bodypaintings/2015/5/3/jia0dxraanhpy0od7jl8e0od3f1uyd
http://pubs.niaaa.nih.gov/publications/CollegeFactSheet/CollegeFactSheet.pdf
https://www.ncadd.org/about-addiction/underage-issues/underage-and-college-drinking
http://brobible.com/entertainment/article/25-greatest-college-party-movies-ever/

Thursday, October 6, 2016

4 Out of 5 Men Agree: Highlights Make You Look Like His Little Sister


            Originally, I had a completely different idea for this project on political bodies, but as I sat in multiple airports this weekend I suddenly felt inspired. As I stopped at gift shops or news stands at the airport, I spent some time looking at the magazines and was appalled at the headlines on all these so called women’s magazines. “How to lose 10 lbs. fast” one read. Another one said “15 tips to please him in bed.” I was shocked that these kinds of phrases were out there for any girl, no matter her age, to read.

            I began to think about my relation to these kinds of magazines. As a young girl, I was enthralled with the copies of Glamour, Marie Claire, Self, Women’s Health, and Cosmopolitan my mom had laying around the house. I used to sneak the magazines away and read them, particularly interested in the relationship and beauty sections. Before I had even kissed a boy I was reading articles about “how to keep your man” and “makeup that flirts for you.” From a very young age, I saw things like this and just assumed that this is what I was supposed to be interested in. Why would I seek out other information when what I was reading told me I should be concerned with what swimsuit fits my body type?

Looking back as a young woman now I see a huge problem with magazines and media like this. These magazines represent themselves as magazines for women, when in reality they are all about men. They are about how to please men sexually, how to dress for men, how to do your makeup for men, and how to loose weight for men. All of the women I know have bigger interests than impressing the opposite sex, so I wanted to do a piece highlighting just how absurd the things women are supposed to care about are.

http://www.glamour.com

http://www.womenshealthmag.com   

    
http://www.cosmopolitan.com

              All of my source material came from actual magazines, or so I thought. After further researching one magazine cover where I got phrases like "Mix-A-Lot is right: Why losing your butt may mean losing your man" was actually from an article from a men's website saying what they would put on women's magazine covers! Although I understand it was for "satire" purposes, this disgusted me even more than the other headlines. Below are some examples of what these men think women should be interested in: 

                                                



http://coolmaterial.com/link-roundup/if-men-wrote-womens-magazines/

         The artist who acted as my main inspiration for the piece goes by the name of Julie Houts. Houts is known to most of the world as the Instagram handle @jooleeloren. When I first discovered her work, I spent well over 30 minutes scrolling and laughing at her eerily relatable and comedic work. Her sketches are done in a cartoon/fashion illustration style and highlight just how ridiculous it is to be a woman in today’s world. Her pieces cover topics such as social media, women’s fashion, and relationships. On the surface, you could read her work as just funny little doodles, but I think they act as a great commentary on women and their role in society.  


                                        

https://www.instagram.com/jooleeloren/?hl=en
http://www.refinery29.com/2016/05/110228/julie-houts-instagram-illustrator